Hungary Hotels Travel :: Masterpieces of Illumination: The World's Most Famous Manuscripts 400 To 1600


Masterpieces of Illumination: The World's Most Famous Manuscripts 400 To 1600

Masterpieces of Illumination: The World's Most Famous Manuscripts 400 To 1600
List Price: $29.99
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Availability: In stock soon. Order now to get in line. First come, first served.
Manufacturer: Taschen
Average Customer Rating: Average rating of 5.0/5Average rating of 5.0/5Average rating of 5.0/5Average rating of 5.0/5Average rating of 5.0/5

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Binding: Hardcover
Dewey Decimal Number: 709
EAN: 9783822847503
Format: Illustrated
ISBN: 382284750X
Label: Taschen
Manufacturer: Taschen
Number Of Items: 1
Number Of Pages: 503
Publication Date: 2007-09-19
Publisher: Taschen
Studio: Taschen

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Editorial Reviews:

Famous Manuscripts - The fascinating world of medieval miniature painting and illumination


Spotlight customer reviews:

Customer Rating: Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5
Summary: The Best Available Overview of Illuminated Manuscripts
Comment: "Masterpieces of Illumination: The World's Most Beautiful Illuminated Manuscripts from 400 to 1600" is essentially a reprint of "Codices illustres: The World's Most Famous Illuminated Manuscripts 400 to 1600." The former is one of many 25th anniversary Taschen editions, and bears the series logo on its dust-jacket and bright green cover (rather than the classier illumination of the Limburg Brother's Anatomical Man that adorns the cover of the latter). "Masterpieces" is also slightly smaller (9 ¾" x 12 ½") than the original (10 ¼" x 13 ¼"). There are a few other slight differences between the two editions: different endpapers; white paper for the appendix in "Masterpieces," ivory in "Codices"; and slightly darker illustrations in Masterpieces (only noticeable if you actually compare the editions side by side). Otherwise the two editions are virtually identical.
This is a truly wonderful book. It contains discussions and representative illuminations from 167 of the most famous and influential extant codices, books of hours, psalters, Bibles and histories from Europe and Asia (23 or the 167 are from Persia, turkey and India) during the 1200 years in which manuscript illumination flourished as an art form (and at the end of the text proper are samples from yet another 29 manuscripts). The full-color and often full-page illustrations are beautifully and accurately rendered, and the accompanying descriptions are both authoritative and unusually informative. The appendix contains artist biographies, along with a comprehensive bibliography, glossary, and index. In short, this is more than just a coffee-table book; in fact, I use it in my university course on manuscript illumination (along with Christopher De Hamel's excellent "A History of Illuminated Manuscripts," which forms the perfect companion piece to this volume.).
At the current retail price ($29.95) this book is an absolute steal. If you only get one book on the subject of manuscript illumination, this should be the one!


Customer Rating: Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5
Summary: unbelievably cheap - are we talking the same edition?
Comment: I agree with every word written in the previous reviews: this is a stunning work and one of my most prized possessions, ranging across manuscript illumination from the very earliest known through early to late Middle Ages and Renaissance, and geographically also ranging much more widely (i.e. outside Europe) than any work I've come across.

I paid £37 for it in the UK when it first came out ($75), and still thought it was an absolute bargain. So I am mystified why it is suddenly available (October 2007) at a fraction of the price: this must be being sold at a loss - or are Taschen simply offloading all unsold copies to Amazon? It might be worth Amazon specifying if this indeed the same as the original edition. You'll note that the cover picture is slighlty different from the one you get when you follow the link to the more expensive 'other editions' (even if the text content and reviews are identical).

Customer Rating: Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5
Summary: A joy to hold and behold
Comment: Illumination has fascinated me since I was a boy. This is the best book I have seen of illuminations. The scope includes books in Greek, Latin, Old Church Slavonic, Persian, and Mayan. The printing is superb. Detailed descriptions tell who did the work, who patronized it, who owned the book, where it is now, and so forth. Great for browsing for enjoyment and as a source of inspiration. I expect this book to be a favorite for many years to come. Anybody who enjoys calligraphy and illumination would be delighted to own this book.

Customer Rating: Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5
Summary: One of the coolest books I own!!
Comment: This book is worth every penny! It has fantastic HUGE pictures full of great detail. As an artist who specialises in ancient illuminated manuscripts, I value this book above all others in my personal library. So many great manuscripts are represented here. Truely high art!

Customer Rating: Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5
Summary: A great book on medieval illumination
Comment: This book deserves a seven stars score, as it is magnificent in every sense: Paper, Colour palette reproduction, basic and reliable information accompanying every depicted facsimil, and specially because of the scope of the compendium, involving manuscript examples from arabic countries as well as a XIII century mexican manuscript (The Borgia Codex currently held at the Biblioteca Vaticana) This collection shows (as rarely done by supossedly comprehensive treatises) that Mesoamerican, Chinese and Arabic cultures do also possess a very rich medieval heritage, characterised by a colourful tradition in art production. I strongly recommend this book for anyone interested in Medieval illumination, as well as for those modern illuminators concerned with applying only authentic medieval colours (mostly inorganic compounds) in their manuscript reproductions and finally, this book serves also as a comprehensive guide for visiting great libraries and museums all around the world where some of these manuscripts are exhibited (Do not forget to visit the Condé Museum and The Marmottan-Monet Museum in France).


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